That’s fairly nebulous, I suppose, but so becomes history when the great windshield wiper of the mind blurs and distorts your recall over time. DTM is a Golden Era revivalist’s wet dream, created on the tail-end of that movement’s waning years* a time when rap music, it seemed, was less about singular identities and more about the movement. I will say, though, that Tribal’s brand of hip hop is the type to which I’ve always been most drawn in life.
I can’t claim any amount of authority over Tribal or Do The Math other than what I’ve read - and heard - since starting this blog in earnest four and a half years ago. These are the typically forgotten artists, best represented by the loose collective known as Tribal Music whose Do The Math compilation album, released in 1996, is both the namesake and spiritual foundation for Deven Morgan’s podcast endeavor. Do The Math seeks to highlight the so-called “second wave” of Seattle rap, the time and artists just after Sir Mix-A-Lot’s apex, but before the rise of Blue Scholars and Macklemore. Episode 2 features the vital producer Jake One waxing nostalgic about creating records in the former heyday of Seattle hip hop. Meant to be a Stor圜orps of sorts strictly for the Seattle rap nerd set, Deven is both honest and earnest in his love for Town hip hop. From the good folks at Mad NW who are responsible for the excellent local rap documentary The Otherside, to blogger Jack Devo’s online vault of Seattle music rarities, and finally to the burgeoning Do The Math podcast, created and hosted by 206 hip hop superfan Deven Morgan. There has been a recent movement in the Town toward documenting, both aurally and visually, the rap-related things happening inside the bounds of this fair area code.
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